Cutting to the Heart of the Story
I create videos that hit hard and stick with you. From concept to final cut, it's all about turning raw ideas into something real that leaves a mark on the people who watch it.
CARLIE & AnGE
Carlie and Ange are Australian content creators known for their lively reactions and insightful reviews of various TV shows, anime, and movies. As their content editor, I turn raw reactions into cinematic storytelling by amplifying their authentic energy—synching laughter, gasps, and tears to the rhythm of their favorite shows and films. I specialize in trimming the fluff while preserving the spark that makes reaction content addictive. Whether it’s anime twists or live-action drama I craft edits that keep audiences glued to the screen with every reaction. It is my job to turn their passion into captivating moments that feel as genuine as their on-screen chemistry for their 250,000+ subscribers worldwide.
Software: Adobe Premiere Pro
FULL-LENGTH VIDEOS
Haylo & Kiss
Meet Haylo and Kiss, the dynamic duo known for their unbridled reactions to anime, gaming, and live-action shows. I specialize in crafting edited reaction videos that feel authentic yet cinematic, and resonate with their 160,000+ fans worldwide. By balancing raw emotion with tight pacing, I help Haylo and Kiss transform their lively reactions into polished, binge-worthy content. Whether it’s syncing reactions to key plot twists or weaving in inside jokes for their community, I ensure every edit enhances their storytelling while staying true to their voice.
Software: Adobe Premiere Pro
Merck Safety Communications Campaign
Safety isn’t just a policy—it’s Merck’s promise to care. As a key member of the video production team behind a groundbreaking Merck “Take Care” employee engagement campaign, I helped craft 7 videos that transformed workplace safety into a shared mission. Collaborating with marketers and filmmakers, I contributed as a production assistant and gaffer assistant, ensuring every scene prioritized both emotional impact and technical precision. Behind the scenes, I tackled logistics, supported seamless shoots, and ensured lighting elevated every frame—all to empower employees to look out for one another like never before.
Equipment: Lowell Pro Kit Lighting, Adobe Premiere Pro
THe Smile
In this action-packed short film, a group of detectives are entangled in a web of murder, violence, and dark history. When they needed a guardian angel, a vigilante emerges to save the day! My job as the audio technician, sound mixer, and boom mic operator, was to make sure the sound was awesome and intensified every twist and turn. I helped bring the tension and action to life by balancing the audio and sound effect so it felt real and intense, helping create a thriller that keeps you guessing until the very end.
Equipment: Rode mic, Zoom audio equipment
Vietnam Memories
As a production assistant and gaffer for this intimate documentary, I helped bring a Vietnam War veterans memories to life with light and lens. My role was to ensure every shadow and beam reflected the weight of his experiences. Crafting a warm, atmosphere to honor his vulnerability, and amplify his courage so his sacrifices would resonate long after the screen faded.
Equipment: DSLR Camera, Lowell Pro Kit Lighting
Tranquil
Haven returns home after months away, unable to remember why. She starts therapy for trauma from an abusive partner and her toxic father. As memories resurface, she uncovers the truth she buried. This isn’t just a story about trauma—it’s a testament to the power of filmmaking to externalize inner battles. My technical and creative choices as assistant cinematographer and director, gaffer and boom mic operator, amplified Haven’s journey from silence to clarity, ensuring every frame and shadow served her story.
Equipment: DSLR camera, Lowell Pro Kit Lighting, Rode mic
Humanoid
I led the complete creation of this stop-motion animation where aliens kidnap a child to the moon, and humanity’s rescue mission becomes a testament to love and determination. Responsible for the end-to-end production - including storyboard development, photography, original musical score production, and all aspects of post-production - I designed miniature lunar terrains and alien creatures, using sound design (footsteps, whispers and alien hums) to amplify tension and immerse viewers in the race against time.
Software: Final Cut Pro, Logic
Equipment: DSLR camera, Lowell Pro Kit Lighting